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Present!

What a year this year for sale ...
I was thinking that I have not given up a weekend without rest my butt on the saddle.
And then I thought about how many places I saw, how many people know ... and if it comes from 'that just does not recognize all those known to us more' as that of Cremona, "but as scooterboys ...
It 'nice, I try and stay in reaching maximum enjoyment and feel somewhat at home to hundreds of miles from my bed.
And then I get to do the bill.
forget something?

May 6, Mantova (MN): Joao, Gast, Lionel
19-20 May, puckers @ The Arco di Trento (TN): Joao, Gast, Viciousburger, Stella, Mimmo, Elody, Scrotoman + Partner
9-10 June, Lonigo (VI): Joao, Gast, Wicca
June 23, Bovolone ( VR): Joao, Gast
June 30, Monticelli Terme (PR): Joao
July 7 to 8, Val Stirone Tabiano (PR): Joao, Gast, Scrotoman, Janfree, Yurgen, Vicky
July 14, Viarolo (PR): Joao, Gast, Wicca
July 15, Thérèse @ Fornovo sale of Taro (PR): Joao
August 19, @ Vespa Club Felino (PR): Joao, Gast, Lionel.
August 26, Modena (MO): Kruz, Mimmo, Elody, Yurgen, Vicky, Mario.
September 2, Gathering @ Fombio (LO): Gast.
8 to 9 September, Bear in the Alps @ Rovereto (TN): Joao, Gast, Zazzi
September 23, Vespa Club @ Soresina: Gast, Kruz, Mimmo, Elody, Marzia, Scex ...
October 8, Winter Cimento @ Canneto sull'Oglio: Joao, Gast, Jonny, Franco.

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ATELIER-Theatre of the Principality of Syracuse.

to the Mayor of the City of Syracuse GiovanBattista Bufardeci, the President of the Province of Siracusa: Bruno Marziano.

Petition to prevent the closure of the aggregation

ATELIER-Teatro Dei Principi.

The closure or the decentralization of the Atelier-Theatre of the Principles on the island of Ortigia in Siracusa can not help but take away opportunities for culture, entertainment and aggregation.

ASK

is prevented closure of the Theatre, which is made to keep it active and vital and is also given the opportunity to young people and children to appreciate the importance for art and culture.

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Theatre Presentation of the Principles

Il Teatro Dei Principi wants to be a permanent workshop designed as an incubator for research-based pedagogical principles of the theater. A place where the language spoken and shuns the automatic approval of expression of the official languages, in fact, that place where the words theater and theater of the body come together to give shape and content to a harmonic dimension that sees the actor-athlete the center of his creative career.

It 's a reality that' the medium of theater to reach a balanced and harmonious development of evolution, to be put at the service of social theater where there is not exactly home, it draws on the work of the actor to win a high consciousness and awareness of self in space.
Ours is a path that uses the body work, rhythm, creativity, feelings, listening, balance, trust the individual to improve and make more aware and centered.

Our goal is to use the theatrical art in expressive situations, educational, recreational, artistic, social, educational and therapeutic, drawing methodologically fundamental experiences of the "founding fathers" of 900, which Majerchold, Stanislawskij, Artaud, Gurdieff Grotowski, the those most universal of all so they did the work on the actor the center of its artistic and theatrical journey.

The practice of the arts and specifically in the theater can not exist on the scene without being supported by a preparative growth based on training.
On stage everything is subjected to a macro view, is the game of representation., We arrive at the scene to show just what can not be hidden. If a plaintiff lacks the athletic condition, the public inevitably unmask that actor, that show.

Teatro Dei Principi wants to be an ideal incubator of experience living and concrete, through the work on strengthening three centers of the body mind sense, we offer a job that starts from the experience of the actor-athlete to achieve the formation of fully self-aware individuals. The body received
Assumption is not simply a theoretical training but also of fundamental importance for those who are not 'theater of their main experience of life.

The theater in its most ancient is the rite as well as in children corresponds to the game and our aim is to combine the art of learning together, playing.

Outside the opera, featuring uncommon, the prison houses, senior centers, nursing homes, in recreation centers, at USL, with psychiatric patients, with the carriers of deficit, with the immigrants in schools, compared with the scholars and administrators, drama therapy for years he was employed as a tool for working on the ease with great results in terms of welfare of subjects.

The theater has a primary teaching role, the Teatro dei Principi wants to own as a tool to put in service to society. The soul in great joy to share equally in case of children, young or old, and this can only improve the life of the community.

The Theatre of the Principles was created in 1999 by director and actor who brings with him EugenioMaria Santovito as a model for nearly twenty years of practical and theoretical experience of a good standard. This theatrical experience is born in the ancient island of Ortigia, the island on an island in the border area in which it was understood all too well what being in front, in the words of Georges Simenon (1994): A small country is a country that was great and you remember.








EugenioMaria Santovito

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Presentation of my latest book entitled "Going beyond".

On May 4, 2007, at 18, in the Library "The Hippogriff" No to Nice C.so 1 to Cuneo, I presented my latest book Going Beyond - Ideas for skills development cross. The participation was great, very high for such events.
wish to thank all the people attended (about 30) and those who, passing into the library, have looked to listen without being informed of the presentation.
reproduce below a brief summary of my speech.

"This is the first presentation of my book Go over and done here in Cuneo, because the story of this book starts right here, with my first learning adventure dated November 25, 1997, when there was the SAA (School of Business Administration), in Via Santa Croce n. 6, at the Palazzo Santa Croce (near the Church of Santa Croce), where now I'm back, the university became detached from the Faculty of Political Sciences of Turin (the Faculty in which I graduated and initially formed).
The book is "curiously" produced in London (where I have the other university), Editor's Santa Croce, which refers to a library Holy Cross, which lies close to a square which is called the Holy Cross and in which located the Church of Santa Croce (even boring this). Coincidence?
The overall picture shown on the cover of my father celebrates an anniversary: \u200b\u200b30 years after his birth (1977).
In the book there are 10 years of training around Italy. A glimpse of how we are, a truth that emerges from small groups (which is more authentic than the major groups).
It is argued that the best student "studying, working and having fun," but even the best worker, citizen, evaluator ... in the medium to long term.
The closure is left to Roland Barthes, quoted on the last page, the same quote that I mentioned at the beginning of my article of 1991, to which I am particularly fond, when I started my adventure to university teaching. "